VHF RECORDS - Vibracathedral Orchestra LPs and Alexander Turnquist CD!
Sunday, February 7,2010 ![]() |
1. The REM Cycle - Dream Phase |
vhf#118 Alexander Turnquist As the Twilight Crane Dreams in Color CD
Second full length from NY based guitarist Turnquist, who defies expectations with a set of hypnotic epics that owe more to classic minimalism than current notions of solo guitar. Forgoing most of the extended techniques of his debut, Turnquist concentrates on laying down a thick blanket of 12 string that sets up persistent loop-like patterns in the music. Simple and lovely strings, piano, and percussion accompaniment provide the melody, carrying most of the movement in the pieces. The palette of sounds and styles here is used with extraordinary control and restraint - the orchestrations are as reductionist as possible, with no cringe-inducing "string drama" or unnecessary virtuosity. The almost monomaniacal tremolo thrum of the guitar dominates the album, but there is a lengthy ambient breakdown that occurs midway through the 18 minute "The REM Cycle - Dream Phase" that is a thing of elliptical and drifting beauty. "As The Twilight Crane" is a bold statement even in the context of the frequent micro-parsing of styles in the sub-underground - there's really not much else out there like it. CD
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1. The Bad Serpent |
vhf#119 Vibracathedral Orchestra Joka Baya LP
First in a trio of limited edition new LP’s from the ever mysterious Vibracathedral crew, returning from another relatively quiet period with an uncompromising set of outre’ jams. Slightly reorganized around a lineup of stalwarts Mick Flower and Adam Davenport with frequent collaborators John Godbert (Total) and John Moloney (Sunburned Hand of the Man), the band here stretches way, way out over these six sides, taking in several different styles while maintaining “that” sound all the way through. Joka Baya offers up a first side of short pieces, in a high-fidelity style that is in direct contrast to the dark, smoky sound of the rest of the tracks. The percussive grooves laid down by all 4 members are overlaid with Sunroof-like shimmer, stabbing electric leads, gentle acoustic rain, and droning organ peeking through at opportune moments. The roaring side-long epic on the flip is a droning, phasing slice of psychedelia with Moloney’s drums battering the tape in between long stretches of humming stasis. Cut by John Golden, audiophile pressed at RTI. Limited pressing. LP
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1. The Secret Base |
vhf#120 Vibracathedral Orchestra The Secret Base LP
Second in a trio of limited edition new LP’s from the ever mysterious Vibracathedral crew, returning from another relatively quiet period with an uncompromising set of outre’ jams. Slightly reorganized around a lineup of stalwarts Mick Flower and Adam Davenport with frequent collaborators John Godbert (Total) and John Moloney (Sunburned Hand of the Man), the band here stretches way, way out over these six sides, taking in several different styles while maintaining “that” sound all the way through. The Secret Base starts up at full throttle, straight into the middle of a raw sounding live outing, Flower’s overdriven guitar occupying the same sonic space that gives his signature japan banjo/shaahi baaja workouts with Chris Corsano their urgency. The sound is dark and rough, almost Xpressway-like in its claustrophobic atmosphere. The percolating Krautrock stylings of “If you can’t smoke ‘em, sell ‘em” chugs along hypnotically for over 13 minutes to close out the side. On side 2, the entire 20+ minutes are devoted to the clanging free sound of “Eyes of Wood,” where gamelan-like metal percussion dominates the proceedings. Cut by John Golden, audiophile pressed at RTI. Limited pressing. LP
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1. Smoke Song |
vhf#121 Vibracathedral Orchestra Smoke Song LP
Third in a trio of limited edition new LP’s from the ever mysterious Vibracathedral crew, returning from another relatively quiet period with an uncompromising set of outre’ jams. Slightly reorganized around a lineup of stalwarts Mick Flower and Adam Davenport with frequent collaborators John Godbert (Total) and John Moloney (Sunburned Hand of the Man), the band here stretches way, way out over these six sides, taking in several different styles while maintaining “that” sound all the way through. Smoke Song’s more gentle exposition starts with Davenport’s santoor (a type of hammered dulcimer) leading the band into a lengthy mid-tempo groove on “Smoke Song,” followed on the second half of the side by the short, quiet “Cholita Maria.” The second side’s 17 minute “Get it, got it” lays down the tremolo and phase in a probably unintentional echo of the best Spacemen 3 comedowns, taking a pulse and riding it into an organ and percussion fueled bliss. Cut by John Golden, audiophile pressed at RTI. Limited pressing. LP
























































































