Bonobo (electronica, DJ, club)

Daedelus (electronica, rock, experimental)

The Death Set (experimental-punk)

Does It Offend Yeah! (electro-rock-pop)

Dub Trio (rock, metal, dub)

Trevor Dunn (experimental, avant garde, jazz, rock, improv) 

The White Mice Maxximum Ganjahovahdrive Tour 2010 kicks off today in the band's locale of Providence, Rhode Island. From there the blood encrusted, furry savages will infest and pillage the country for the next month and a half, bringing their vomitous, psychotically-entrancing apocalyptic hymns about Cheesus and such to the masses, including a massive headfuckfest in the southwest, as they invade SXSW for a plethora of shows.

 





LP released november 17, 2009 in a limited edition of 823 copies.

steve gunn’s prodigous talent for fusing traditional american song structures with a raga influence is almost criminally unheralded. gunn’s songcraft is so strong and his playing style so effortlessly beautiful that folks should be shouting his name from every tall building and mountaintop. it is with such high esteem for the man’s work that three lobed recordings is humbled by the association and thrilled to announce the release of boerum palace by steve gunn. without any doubt, boerum palace is a staggering accomplishment and is certainly gunn’s most assured and confident work to date.

native philadelphian gunn has been a stalwart of the american experimental scene for closing in on a decade. he is known by many for his contributions as one half of the core duo behind GHQ (with marcia bassett) as well as for his many other affiliations with underground luminaries such as tom carter, the magik markers and marc orleans. gunn has slowly cultivated his own solo work alongside his other obligations and involvements. after a few early CDR and cassette releases under the moniker “moongang,” gunn gravitated towards performing and releasing music in his own name, culminating in the exceptional sundowner (digitalis industries, 2008). sundowner was, to that point, the most potent burst of gunn’s songwriting abilities and remarkable playing abilities. following sundowner, gunn bunkered down to further hone his songwriting and boerum palace represents the overwhelming products of that effort.

boerum palace represents steve gunn’s first full-length release on vinyl and second album. the album starts off with a headlong rush into the hypnotic “mr. franklin” (a downloadable MP3 of which can be found here). gunn’s fluid playing style, especially as portrayed withing this track, provides ample space for the development of infectious musical themes. the track ends in a dextrous duel between gunn’s guitar and guest marc orleans’ (of d. charles speer & the helix, sunburned hand of the man) vicious pedal steel. the album mixes gunn’s long-form blues / raga / psych explorations alongside briefer cuts that equally display his songcraft. these tracks, such as “variation ii” and “jadin’s dream,” demonstrate that gunn is equally confident with shorter or longer compositions. gunn's voice is joined by an ethereal turn from the vanishing voice’s heidi diehl on the album’s central and haunting “house of knowledge.” the track opens with a building central guitar theme. this theme allows gunn to layer on further guitar explorations. the tone set by these musical themes builds into the duo’s vocal delivery that delivers volumes despite being uttered in gentle tones. other highlights include “cryin’ eyes,” an inspired reworking of j.j. cale’s “crying eyes” featuring backing instrumentation from marc orleans, and the richly textured album finale “mustapha’s exit.”

TLR 072: d. charles speer & the helix — distillation LP + download

LP released november 17, 2009 in a limited edition of 891 copies. 

it is a tremendous understatement to say that it is with grand excitement that three lobed recordings is proud to announce the release of distillation by d. charles speer & the helix. for the last couple of years we have been continually excited by each of the fruits that have resulted from speer/helix collaboration. for our money, last year's after hours album was one of the best released by anyone. distillation only ups the ante from that prior full length by elaborating upon some of the musical themes from the late 2008 “in madagascar” 7”. the resulting album presents a tightly focused modern honky tonk quintet more than happy to blur the lines between country, psychedelia and the overall american musical tradition.

consisting on this album of d. charles speer (aka dave shuford from the no neck blues band and enos slaughter), hans chew (last seen providing some ripping piano accompaniment on "fishtown flower" from jack rose's the black dirt sessions), marc orleans (enos slaughter, sunburned hand of the man), jason meagher (no neck blues band, coachfingers) and rob gregory (the suntanama), the helix are a seriously experienced and talented crew. distillation was recorded over time between the winter and summer of 2008 at the band’s home away from home, meagher’s black dirt studios in westtown, new york. margot bianca guests on backing vocals on a few of the album’s tracks.

the album starts off in monstrously infectious form with the leadoff track, “mason dixon crime” (a downloadable MP3 of which can be found here). the track’s propulsive, rolling rhythm, dueling guitars and soaring chorus offer the perfect foil to speer’s ever-present baritone vocals. to those new to the band, “mason dixon crime” provides the perfect introduction to speer’s captivating narrative gift. he is a singer who is capable of simultaneously spinning a masterful tale using a delivery that leaves the listener feeling like there is something hidden and secret being held just out of sight. other prime examples of this gift are evident throughout “open season” and its soaring climax, the plaintive “time changes things” and the swaggering album-closing “shorty (a bastard cat).” while speer’s vocal range is one of the band’s calling cards, the helix also features the unique voice of hans chew’s blazing piano. while chew aims for the fences throughout the rollicking “hardwood floors”, he really gets cut loose (and to spend some time on lead vocal duty) on the seriously jamming “life insurance.” one would be remiss to think that the helix is a one (or two) voice affair though – it is a totally solid full ensemble presentation as is evidenced by the jaunty full band workouts presented within both the instrumental “helical” and the rockin’, rollin’ and beer swillin’ “gravedigger.”

Three Lobed Recordings

Fear Falls Burning - The Rainbow Mirrors A Burning Heart (cd reissue, japanese sleeve + obi - tonefloat)



Fear Falls Burning - Woes Of The Desolate Mourner (cd reissue, japanese sleeve + obi - tonefloat)

Now available at tonefloat

"Builds on Black Boned Angels initial premise of 'do nothing, very loud, for a long time, better than other people'. Perhaps the best example thus far and in spite of the obviously extreme-metal reference points, these two 'songs' (yes, they ARE songs) come across as decidedly 'beautiful'. More than a passing nod to Judas Priest also. Limited to 500 copies: 300 on black, 125 on solid orange and 75 on clear green."

"Dirk Serries (Fear Falls Burning) and Justin Broadrick (Final) are both musicians with an impressive discography that spans over 2 decades. They both emerged from the same underground scene in the early eighties, releasing small print tape releases, often on the same labels. When they finally met for the first time in 2007 on a Jesu / Fear Falls Burning European tour they hit it on straight away. Their common love and interest in the avant-garde drone, experimental music scene resulted in Final's stunning contribution to the epic 'Once We All Walk Through Solid Objects' 5lp set by Fear Falls Burning. A full-length collaborative album was only a matter of time. About a year in the making this collaborative album showcases Final and Fear Falls Burning's ability to expand the drone genre with allowing power chords, figurative plucking and electronic-esque soundscapes to lead the 4 songs on this album. The collaboration is much more than just a sum of both their projects together but it realizes an entity on its own. In your face, metal-esque and avant-garde at the same time, Final and Fear Falls Burning took the leap forward in creating a intriguing variation on drone music. This lp is limited to 500 copies (75 on clear, 125 on silver and 300 on black)"

This is a pack containing the 3 Keelhaul picture discs of S/T, II and Subject To Change Without Notice. All lp's are limited to 300 copies. We will have 50 of each lp available when the Keelhaul tour starts, if the band has any unsold copies after the tour they will be available here as well.

Conspiracy Records